This slim, minimalist graphic novel isn't entirely so much about depression & fragmentation, as it's about coping with the aftermath when one is "cured" … or a little farther along the path of "cured" anyway. Use of the second person is extremely effective, distancing the protagonist from her painful memories without repressing them; and that tone extends to the reader as well, as if there's a thick pain of glass between her & the rest of the world, including us.Specific details, such as her love of classical music, make her an individual, not a stock figure. But tellingly, everyone is drawn with only part of a face, with just the expressive eyes above a blank white space beneath. Again, there's the tone of distancing, & lack of real connection. It's not a story about medical & psychological facts; it's an immersion in the emotional residue of a soul-drowning episode in a young woman's life.While part of me wanted more to the story, I think this stripped-down approach was best. By doing less, it actually does more in conveying the ongoing difficulties of recovery. I'm impressed by this deceptively simple & short graphic novella — recommended!